A real tough cookie!

As usual, on this season’s 24, if everyone just listened to Jack Bauer for a change, they wouldn’t be in this mess. You’d think after countless presidents and agency heads, they’d learn to at least hear Jack out, but no…
I came into 24 kinda late. When the series first debuted in 2001, I found it hard to get into. The big sell of the show, at the time, was “Oooh, it’s in real-time! Minute-by-minute action!” Yawn. Really? And then the few times I would catch a segment of the show, and see the unstoppable Jack Bauer drive from Northridge down to Long Beach in 10 minutes right in the middle of the day, left me asking, “Have these writers even been on the 405?” It wasn’t until several years later, around 2005 or 2006 to be exact, when I happened to catch a rerun of a later season, with Jack in a stressful chase in the dead of night—with the loveably cute, perennially pouty Chloe O’Brien running comm—did I get reeled in. I then had to go back, and load up my Netflix with all previous seasons to get myself up to speed. I couldn’t watch those episodes fast enough. I learned to throw out all realism, and improbabilities, and just lock into the storylines, plot twists, and action. (Although I still entertain myself with the idea of one of the characters stuck in traffic for an entire episode, and while the action is ongoing, we keep cutting back to him sitting in his car, stressed out and looking at his watch.) I even bought into the idea that Presidents of the United States hang out in hip, chic L.A. way more than stodgy ol’ D.C. Hey, why not?
So I think the writers and producers finally said, “Y’know, after eleventeen seasons of Jack chasing terrorists and embarrassing presidents all over L.A., we should really consider shooting at least one season in D.C.” Which brings us to the current season, where as of this writing, six African soldiers have broken in and taken over the White House, bitch-slapping President Allison Taylor right on cable news! While the plot definitely has me inextricably hooked, I think the problem that I’m having with this season is the portrayal of (presumably) the first female president. Since this hasn’t happened in real life yet (Hang in there Sarah Palin; keep the dream alive!), Hollywood writers are basically left to create a character based on speculation, and a little bit of wishful thinking. So to counter the image of a soft, nurturing and motherly type, the writers have to come up with a strong female figure to portray what they think a female president should be like. I’ve also seen this in other portrayals of female presidents. They try to make her out to be some kind of “tough cookie” no-nonsense type. But it’s not real strength, like a Margaret Thatcher or a Golda Meir. It’s Hollywood toughness, which is basically constant yelling, and chewing out your subordinates. It’s being stubborn and unreasonable just to prove a point. It’s for the actress to always look stern and cold, as though she’s in a constant state of disdain. And don’t forget that she always occupies the moral high ground. By invading the fictitious African nation of Sengala to stop a sadistic general’s genocidal army, President Allison Taylor is showing us how we should’ve handled Rwanda and Darfour. (Not Iraq, of course, with its discoveries of mass graves all over the country. There’s oil in Iraq, so therefore it’s strictly hands off.) When trying to catch the main terrorist in a city of 5 million, she barks at her staff, “I don’t care how you find him, just get it done! (Except, don’t let Jack torture anybody. Or break any rules. Or leave a carbon footprint.)” The eunuch that’s running the F.B.I. section of this case is a perfect example of this flaccid method of dealing with evil in our nation.
As usual, Jack Bauer has the last laugh. Although he doesn’t laugh, cuz everyone’s dead. I kinda hope they kill off this president. That would be the kind of shock and intrigue that makes this show so gripping to watch. Maybe, next season, Jack Bauer will be president! He has my vote!